Full-size bottle
· 15 products left
$155
3.4 oz
Room 1015 - Hollyrose
Hollyrose is a bewitching blend of rose absolute, black pepper, soft orchids, leather, and deep patchouli. It’s a crushed-out love note to the groupies of the Los Angeles music scene of the 1970’s, with a feel of blissed-out, warm summer luxury. Room 1015 has done it again with this intensely romantic and elevated eau de parfum.
Stop and smell these
Featured notes
Learn more about the top, middle, and bottom notes in this fragrance.
Explore all notes
Fragrance family
Chypre
Chypre scents are defined as a combination of five notes - citrus (often bergamot), floral (classically, rose or jasmine), woody (often patchouli), oakmoss, amber and/or musk. These timeless, woody fragrances are ideal for charismatic and original personalities who wants to wear unique scents.
Learn moreBut don't just take our word for it
Here's how others described
the scent
the scent
The Scentbird community has spoken, and this is how reviewers categorized this scent.
- Strong47%
- Warm27%
- Powdery10%
- Light6%
- Sweet4%
- Fresh3%
About the brand
Explore Room 1015
Stop, rewind. A shiny black stretch limo with tinted windows and gleaming hubcaps pulls up to 8104 Sunset Boulevard. Sepia Polaroid, freeze frame. Time to wind back an old cassette with a pencil to a time when the Continental Hyatt Hotel, aka the “Riot House,” was the place to be.
The 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
Learn moreThe 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
Fragrances from Room 1015
In good company
People who loved Hollyrose also like
Defer to the crowd
650 reviews
Here's what our customers had to say about this product.
Filter reviews
- KRKaren R.09/15/2024Reviews 6Products received 0YuckReally old smelling, to strong, not as described00
- CDCrysta D.09/06/2024Reviews 1Products received 0A great balance between woody and floral!Once you let this perfume breathe for about a minute, the intense musk-type smell dissipates and you're left with a lovely feminine, woody, rosy scent. I quite like it. It doesn't smell like you're sniffing a board of wood and it doesn't smell like your nose is shoved into a rose. It's a light, well balanced blend, I'd say.My ratingsFloralMysteriousEverydayFallLightEasy-going10
- ZWZsaDore W.09/06/2024Reviews 10Products received 0Not a fanIt screams old churchMy ratingsWoodyClassicOfficeWinterStrongIntense00
- MRMaria R.09/01/2024Reviews 2Products received 0Scent is too masculineI did nott like it. Too strong and masculine.00
- AWAmber W.08/29/2024Reviews 19Products received 0Nice but strongIt smells nice but a little to stout, takes awhile to die downMy ratingsFloralMysteriousPartySpringStrongIntense00
Explore new arrivals
Room 1015
Hollyrose
scent world
featuring: Michael Partouche
Michael went from being a pharmacist by trade to being a
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.